(30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).  Related Paintings of Carl Schuch :. | Baumgruppe mit Gatter | Gladiolen und Apfelsinen | Weinglas und Zinnkrug | Zwei Blumentopfe mit Stiefmutterchen | Bemooste Felsblocke im Wald |
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Serhii Vasylkivsky
(October 19, 1854, Izium e October 7, 1917, Kharkiv) was one of the most prolific Ukrainian artists of the pre-revolutionary period and an expert on Ukrainian ornamentation and folk art. Vasylkivsky grew up in an environment conducive to his development as an artist. He was born and spent his childhood in the picturesque surroundings of Izium, a city in the historical region of Sloboda Ukraine, and today's Kharkiv Oblast. The future painter had a chumak grandfather whose roots reached cossack ancestral lines. Vasylkivsky's father was a writer and taught his son the aesthetics of proper calligraphy. His mother, through her folk songs set the foundation which provided the inspiration for Vasylkivsky's art later in life. When he was seven years old, his parents moved to Kharkiv, which at the time was a significant cultural center of Sloboda Ukraine. Vasylkivsky's first art lessons were given at the Kharkiv gymnasium by Dmytro Bezperchy, a student of Karl Briullov. During the years of his study, Vasylkivsky was able to use the extensive book collection of his relative and poet, V. Alexandrov. Among these were the works by Ivan Kotlyarevsky, Taras Shevchenko, and Nikolai Gogol, which made a strong impression on the young artist. After five years of education at the gymnasium and at the demand of his father, Vasylkivsky began studies at the Kharkiv Veterinary School. This lasted until 1873, when Vasylkivsky left veterinary studies due to his parents inability to pay for tuition. For a while, he worked as a civil servant in Kharkiv.
Hugo Simberg
Hamina 1873-1917 Ahtari, Finnish painter and printmaker. He first studied at the Finnish Fine Arts Association in Helsinki. His natural inclination towards mysticism led him to seek the instruction of Akseli Gallen-Kallela, with whom he studied in Ruovesi intermittently between 1895 and 1897. Gallen-Kallela's influence, in particular his Symbolist synthesis of the National Romantic style, is evident in Simberg's early works, such as Frost and Autumn (both 1895; Helsinki, Athenaeum A. Mus.), which are highly personal expressions of the mysticism of nature.
Henri Pierre Danloux
1753-1809 French French painter and draughtsman. He was orphaned at an early age and was brought up by an uncle who was an architect and contractor. Around 1770 his uncle apprenticed him to Nicolas-Bernard Lpici. He exhibited for the first time in 1771 at the Exposition de la Jeunesse in Paris, where he showed a Drunkard at a Table (untraced). About 1773 he was admitted into the studio of Joseph-Marie Vien, whom he followed to Rome in 1775 on the latter appointment as Director of the Academie de France. Danloux sketchbooks show that he also travelled to Naples, Palermo, Florence and Venice. He was not interested in the monuments of antiquity but concentrated instead on drawing landscapes and, in particular, portraits, among them that of Jacques-Louis David.